Just out in March 2020 in paperback, this spell-binding fantasy novel by the supremely talented Frances Hardinge will suck you in and hold you in its grasp you like one of the many-tentacled sea-Gods who inhabit the story.
Frances Hardinge is the Costa-award-winning author of The Lie Tree and Skinful of Shadows. Deeplight, like those novels, is categorised as Children’s or YA fiction, but, like Philip Pullman’s, her books transcend age limits and I heartily recommend this book to anyone who wants to be transported on an adventure to the darkest ocean depths.
The story is set in the Myriad Isles, a scattering of islands peopled by sea-faring folk, many of whom make their living by scavenging the ocean depths for traces of ‘God-ware’ – powerful, magical fragments of the underwater Gods who once terrorised the isles.
When scavenger boy Hark and his best friend Jalt happen upon one such relic, they realise its’ value, but have no idea of the dark power it will exert… until it is too late, and Hark must face up to the fact that he has compromised not just who Jelt is, but what he is . . .
A dark, bewitching tale, which raises big questions about faith, friendship, loyalty, and what it means to be human.
I wolfed this astonishing, heart-rending novel down in a couple of days! An entrancing and beautifully-written novel by an author who has hitherto written for teenagers.
‘The Mercies’ is based on the real-life drama of a storm near the fishing village of Vardo in Northern Norway in 1617, which wiped out the male population of the small village, leaving the heart-broken women to fend for themselves, which they do, quite ably, until a Scottish Commissioner is sent North to tame their unseemly ways. The growing friendship between the Commissioner’s young wife, Ursa, and Maren, a feisty village woman, forms the centre-piece of the novel, which gathers pace as the full horror of the Commissioner’s mission becomes clear. An incredible glimpse into the havoc wreaked in a God-fearing fishing village by superstition and prejudice at the time of the Witch Trials.
‘Beautiful and chilling’ – Madeline Miller, author of Circe
A familiar face on our TV screens, Sally received great acclaim for her debut novel, The Sealwoman’s Gift, in 2018. Now we are pleased to introduce her second novel, The Ninth Child, a spellbinding tale which blends fact with fiction, history with folklore, and science with superstition, as it draws together the story of 17th Century minister Robert Kirke and Sally’s own great-grandmother. Set on the banks of Loch Katrine, where a huge engineering project is underway to deliver clean water to disease-ridden Victorian Glasgow and the hills echo with explosive blasts, The Ninth Child follows Isabel Aird, coming to terms with childlessness and attempting to start a new life with her engineer husband in this bleak but striking environment. When Isabel encounters a mysterious stranger who watches her every move, the foundations of her life grow increasingly less sure. Set in a pivotal era when engineering innovation flourished but women’s role was still muted, The Ninth Child blends folklore with historical realism in a masterly narrative. ‘An extraordinarily immersive read’ Guardian ‘Richly imagined and energetically told’ Sunday Times
When I heard from Jeremy Knight, Curator of Horsham Museum, about the secret project dreamed up by Robin Milner Gulland, husband of Washington artist Alison Milner-Gulland, to produce a book to accompany a retrospective exhibition in honour of her 80th birthday, I was absolutely thrilled because she is one of my favourite artists. With the help of art expert Rupert Toovey, a long-time fan, they have put together a delightful record of the wide-ranging work of this remarkable artist. There is a little story behind each piece, from the ancient legends of Chanctonbury Ring to the icons of Russia and the sad history of Syria. Here in this book we have a brief taste of a life full of adventure and creative exploration, with work both figurative and abstract, masterfully rendered in paint, pastel, collage or ceramics. As this quiet and indomitable artist says “I don’t paint to sell – I do it because I want to say ‘look, I’ve seen this, look at it’. It either sells or it doesn’t. Some will see what I see and if they don’t, well tough!” This lovingly produced book gives a wonderful opportunity to appreciate this philosophy at first hand.
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The eagerly awaited sequel to the Costa Award winning Days Without End by one of Ireland’s greatest writers and current Irish Laureate.
A Thousand Moons extends the sequence of Barry’s eight novels, which touch each time on the worlds of two families – the Dunnes and the McNultys. In this novel, as in Days Without End, we meet with Thomas McNulty and John Cole, American Civil War soldiers, now a couple, living on a tobacco farm in Tennessee. Their adopted Sioux daughter Winona is the narrator this time, and we follow her journey as she deals with the consequences of a violent act against her. Full of memorable characters and written in Barry’s gorgeous lyrical prose, dreamy yet unflinching when confronted by the darker side of humanity, this is a wonderful book.